Magnificent in color and scale, The Heron captures the “mystical rapture” that seized Joseph Stella upon his return to his beloved Italy in 1922. The paintings Stella created during this stay in his homeland constitute some his finest. He painted The Heron in 1925 and used the brilliant palette of southern Italy as his inspiration. The bright blue of the sea and sky and pastel colors of the sinuous flowers come together beautifully in this painting. Stella’s continued homage to the heron, an enduring and oft-used symbol in his art, also speaks to his lifelong exploration of the natural world and its ability to inspire creativity and soothe a restless mind.
Composizione is one of eight paintings that Kay Sage executed in the late 1930s; it is also the last available work from this early period, making it extremely rare. The painting, more than any of the early works, prefigures her mature Surrealist style. The bold lines, restrained palette, and strong, imaginative composition make it an exceptional example of Sage’s singular artistic vision.
A wonderful personal story accompanies this gorgeous still life by John White Alexander. The painting was intended as a Christmas gift from the artist to Agnes Clark, the sister of Thomas Clark, one of Alexander's students. According to the family lore, Alexander was in love with Agnes, but sadly the romance never progressed very far. The rich palette and bravura brushwork, which demonstrate Alexander's deft artistic skill, also perfectly capture the almost elegiac quality of the still life itself.
The combination of superb artistic skill and a great story make this watercolor exceptional. Fuertes excelled at painting birds scientifically while also giving them personality and pathos. He gave this painting to the American-born archeaologist Edward Herbert Thompson (1857-1935), who spent the majority of his career studying Mayan culture and excavating the area of Chitzén Itzá. The gift likely served as an important memento for Thompson, once he returned to the States. Feathers in Mayan culture were considered symbols of good luck, which is probably why Fuertes included them here.
The "Weehawkin Sequence," a series of oil paintings on small canvasboards, constitute some of John Marin’s most advanced and adventuresome paintings, and this painting is an exceptional example. The body of work was completed by 1916, making the paintings some of the most abstract and modern works by an American artist created before the First World War. The dynamic brushwork perfectly captures the staccato forms that make up the composition. It is a tour de force of early American modernism by one of its most original practitioners.
PENNSYLVANIA
100 Chetwynd Drive - Bryn Mawr, PA 19010
(610) 896–0680 | info@averygalleries.com
Monday - Friday, 9:30 am to 4:30 pm, and by appointment
NEW YORK
14 E. 60th Street - Suite 807 (Madison & Fifth Ave), New York
(929) 625-1008 | cheins@averygalleries.com
By appointment only
This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.
* denotes required fields
We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.