Like many of the women who enrolled in art school in the late nineteenth and early twentieth century, Nancy Maybin Ferguson began her artistic training at the Philadelphia School of Design for Women, where she studied with Robert Henri. She decided to take classes at the Pennsylvania Academy of the Fine Arts after a trip to Europe around 1899, where she became interested in portraiture, as she knew she would benefit from PAFA’s rigorous emphasis on drawing and figure study. Ferguson attended the Academy from 1902–3 and 1907–12. Among her teachers were William Merritt Chase, Hugh Breckenridge, and Henry McCarter. Her highly personal artistic idiom was probably cultivated at least in part by Chase, who argued that individuality should be the lifeblood of artistic expression. Ferguson also studied with Charles Hawthorne at his summer school in Provincetown, Massachusetts – a locale she came to love greatly. Her mature landscapes depict the area around Philadelphia and Provincetown and demonstrate her interest in capturing an era that was slowly passing.  Indeed, the apparent joie de vivre of her Provincetown paintings in particular became a hallmark of her finest work.