Theodore Wendel 1859-1932
In 1886, Wendel returned to Europe to continue his studies at the Academie Julian in Paris, and during the summers of 1887 and 1888, he became a close friend of Claude Monet and painted at Monet’s gardens in Giverny with fellow Americans, Theodore Robinson, Willard Metcalf, and John Twachtman. Under the influence of Monet, Wendel’s style evolved from the dark, richly layered canvases of the Munich School, to the soft palette of Tonalism, and finally to full-blown Impressionism, with its vigorous brushwork and bright high-key colors.
Upon his return home, Wendel exhibited these new works extensively, and his stylistic transformation was very well-received; one critic even hailed Wendel as the “earliest of the Boston impressionists to handle the Monet style with effect.” During this time, Wendel also began teaching at the Cowles Art School, where he met and married a student, Philena Stone, in 1897. They settled in Ipswich, Massachusetts, where Wendel painted for the remainder of his career, until his death in 1932.