Henry Bainbridge McCarter 1864-1942
Chime of the Bells, 1937
Oil on canvas
36 1/4 x 30 inches
92.1 x 76.2 cm
Framed dimensions 42 1/2 x 36 1/4 inches
92.1 x 76.2 cm
Framed dimensions 42 1/2 x 36 1/4 inches
Born in Norristown, Pennsylvania, Henry Bainbridge McCarter studied at the Pennsylvania Academy of the Fine Arts with Thomas Eakins, graduating in 1883. He also studied in Paris with Pierre Puvis...
Born in Norristown, Pennsylvania, Henry Bainbridge McCarter studied at the Pennsylvania Academy of the Fine Arts with Thomas Eakins, graduating in 1883. He also studied in Paris with Pierre Puvis de Chavannes, Leon Bonnat, Alexander Harrison, Henri de Toulouse-Lautrec and others. He saw Van Gogh and watched Corot paint and met Pisarro who came to see him as well as Degas. He served an apprenticeship in lithography with Toulouse-Lautrec.
A member of the Pennsylvania Academy of the Fine Arts where he also was an instructor from 1902-1942, McCarter exhibited frequently in the annuals and won medals as well as at the Panama-Pacific Exposition, St. Louis Exposition, Corcoran Gallery biennials, Philadelphia Watercolor Club, Art Institute of Chicago and others. His paintings are in the collections of the Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts.
McCarter was considered the oldest of the early Modernist painters, and some of his students included Arthur B. Carles, Charles Sheeler and Charles Demuth. His association with Carles continued years after he taught him, and the two were the nucleus of "The 31", a group showing and promoting advanced tendencies in Philadelphia art during the 1930s.
In 1930, McCarter said "I've wanted for years to paint the fact and color and vibration of the sound of a chime of bells." Different paintings of this bold, imaginative subject now exist, the earliest example dating from the 1930s, such as the present work. Other versions can be seen in the collection of the Philadelphia Museum of Art, and the Woodmere Museum of Art.
A member of the Pennsylvania Academy of the Fine Arts where he also was an instructor from 1902-1942, McCarter exhibited frequently in the annuals and won medals as well as at the Panama-Pacific Exposition, St. Louis Exposition, Corcoran Gallery biennials, Philadelphia Watercolor Club, Art Institute of Chicago and others. His paintings are in the collections of the Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts.
McCarter was considered the oldest of the early Modernist painters, and some of his students included Arthur B. Carles, Charles Sheeler and Charles Demuth. His association with Carles continued years after he taught him, and the two were the nucleus of "The 31", a group showing and promoting advanced tendencies in Philadelphia art during the 1930s.
In 1930, McCarter said "I've wanted for years to paint the fact and color and vibration of the sound of a chime of bells." Different paintings of this bold, imaginative subject now exist, the earliest example dating from the 1930s, such as the present work. Other versions can be seen in the collection of the Philadelphia Museum of Art, and the Woodmere Museum of Art.
Provenance
Veerhoff Galleries, Washington, D.C.;Collection of Attorney General Francis Biddle and his wife Katherine Garrison Chapin, Pennsylvania;
By descent in the Biddle family;
Estate of Edmund Randolph and Frances Disner Biddle, Philadelphia;
Freeman's, Philadelphia, American Art, June 6, 2022, lot 71
Exhibitions
"Pennsylvania Academy Moderns: 1910-1945," National Collection of Fine Arts, Washington, D.C., May 9-July 6, 1975; also Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, July 30-September 6, 1975, no. 23 (traveling exhibition).National Collection of Fine Arts, Washington, D.C., (on long-term loan from the Collection of Mrs. Katherine Katherine Garrison Biddle).